Each manuscript was like the other: the same lovely treatment of an unlovely subject. Paul's are his work. Even the horns were easing into the concept and the woodwinds in the second movement were particularly well-orchestrated. Such names shone brightly in the darkness, with black spaces of unilluminated emptiness about them, as stars shine in the night; but now—now it was different; now it was dawn—the real dawn. The chair is in the veranda.
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