All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. She had only to get through this, to solace Manning as much as she could, to put such clumsy plasterings on his wounds as were possible, and then, anyhow, she would be free—free to put her fate to the test. Afterwards we started for a motor ride to a place outside Paris for déjeuner, and I suppose the man’s nerve failed him.
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