The girl in the forward chair raised herself a little, the better to see the gorgeous blue palanquin of the dimly visible bride. She saw the moonlit waters, the black shadow of the proa, the moon-fire that ran down the far edge of the bellying sail, the silent natives: no sound except the slapping of the outrigger and the low sibilant murmur of water falling away from the sides—and the beating of her heart. ’ ‘But why, Marthe,’ asked Melusine, as she walked into the house. "Not entirely," replied Jonathan, calmly; "though I shouldn't be ashamed of it if it were. However the taste of the architecture may be questioned, which was the formal French style of the period, the general effect was imposing. " CHAPTER XIII.
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